Amaran Ace 25C DIY lens hood

The Amaran Ace 25C is a fantastic and versatile LED light. It’s small, battery-powered, bright and you can change its colours. I use several of these lights and they’re always part of my gear when I do a videoshoot.

The included mattebox works well, but is very small. This makes the light usually quite harsh and direct. That’s why I created a custom light hood. 

The Amaran Ace has 4 magnets in the light itself. This is useful for attaching my lightbox. I’ve used 4 steel screws to make them attachable. 

On the front, I’ve created 4 holes where small magnets are placed. Using those magnets, a custom designed filter ring with a filter can be installed and removed. The filters use small steel nails to be attached. This way I can create multiple filters and change quickly.

Want to download and print the design yourself?

Blackmagic Pyxis autumn test – Meike Cine Fullframe 35mm

At STMEDIA we love film, and technology. So when the Blackmagic Pyxis 6K was released we were immediately excited. This 6K cinema camera has a full frame sensor. Together with our new Meike Full Frame Cine lenses, this gives a beautiful cinematic image. While I usually walk around factories and technology-labs, I wanted to see how this combination performed in nature. Here’s a small impression of some test-shots. Enjoy!

A HAPPY NEW YEAR

That’s a wrap! As we bid farewell to an incredible 2024, we’d like to extend our heartfelt gratitude to all our valued customers and partners.

Your continued support has been nothing short of amazing, and we’re excited to continue this cinematic journey with you in 2025. Cheers to more memorable moments, creative endeavours, and a year full of exciting new projects!

Blackmagic Pocket HD OG Veluwe Test

The Blackmagic Pocket Cinema Camera is still an incredible camera. It’s HD CCD sensor shoots incredibly soft and pleasant shots. This is just me getting to know it. 🙂 Various lenses, 8mm fisheye, an old 23mm Pentacon lens, and the Sigma 18-35 1.8 ART with Viltrox Speedbooster.

How 3D Printing Is Changing the Game in Video Production

In the world of video production, creativity often meets a simple problem: how do you mount the camera exactly where you want it? Whether you’re chasing a dramatic low-angle shot inside a machine, or mounting a GoPro in a tight space, standard rigs don’t always fit the vision. That’s where 3D printing comes in.

With a proper 3D printer and some design know-how, filmmakers can now produce custom mounting parts tailored for unique shooting situations. Need a bracket to attach a large camera right above your set, or even a piece of industrial equipment? You can design it in a few hours, print it overnight, and be shooting by morning.

The best part? These parts aren’t just prototypes. They’re functional — they can be strong, lightweight, and perfectly fit for your setup. With modern materials like PETG or carbon-reinforced filament, your custom mount can handle real production stress.

In short, 3D printing turns the “what if” shot into “let’s do it.” It gives video creators the freedom to experiment, customize, and adapt — without waiting for the next accessory to hit the market.